This paper deals with Fichte’s The Characteristics of the Present Age, and in particular with his discussion of the “empty form of knowledge” he claims stands at the centre of the third – i.e. the present – age. Fichte speaks of a fundamental principle that forms the ‘common denominator’ between the third and fourth main epochs. This fundamental principle – the “maxim of comprehensibility” – makes knowledge and comprehension the measure of all that “counts as being valid and as really (...) existing”. But the question arises: How can one and the same principle act as the “unifying concept” for two different “main epochs of human life”? Does this not go directly against Fichte’s claim that two main epochs differ from each other in every respect, precisely because they arise from two entirely different “unifying principles”, and because everything in them must reflect the difference between their “unifying principles”? Fichte’s answer to this question is as follows: a) the fundamental maxim in question allows for two diametrically opposed interpretations, so that each of them provides the principle or the “unifying concept” from which the third and fourth main epochs arise, and b) the third main epoch only gives rise to the empty form of science, as opposed to “truly real science”: it stands for a careless and easy-going, shallow, conventional, trivializing and incorrect conception of the “fundamental maxim of comprehensibility” – so that it misses what is essential, does not do justice to the fundamental maxim, overlooks its implications, and indeed goes against its innermost meaning. Special attention is paid to the question of whether and how some major features of Fichte’s “empty form of knowledge” result from a misguided and superficial understanding of Kant’s “maxims of the self-preservation of reason” and can be reconstructed from this vantage point. (shrink)

This paper focuses on the basic features of Fichte’s doctrine of perception as laid down in his Thatsachen des Bewußtseyns aus dem ws 1811/12. Special attention is given to Fichte’s analysis of external perception and of the role played by extension as an essential component of it. In Fichte’s view, extension is characterized by, among other things, the fact that it presupposes some kind of freedom. This is closely related to Fichte’s view that freedom is not something whose representation is (...) just added to other representations. According to him, it is the reverse: freedom is already entailed in many other representations – it is a determining, if tacit factor that decisively shapes many other representations viz. their content.Dieser Beitrag befasst sich mit wesentlichen Aspekten der Wahrnehmungslehre Fichtes, wie sie in seinen Thatsachen des Bewußtseyns aus dem WS 1811/12 dargelegt wird. Das Hauptaugenmerk liegt auf Fichtes Erörterung der äußeren Wahrnehmung und insbesondere auf seiner Herausarbeitung der Ausdehnung als eines wesentlichen Bestandteils der äußeren Wahrnehmung. Fichte zufolge zeichnet sich die Ausdehnung unter anderem dadurch aus, dass sie eine Art Freiheit voraussetzt. Dies hängt mit seiner Grundthese zusammen, dass die Freiheit nicht etwas ist, dessen Vorstellung zu dem ‚Bestand‘ unserer anderen Vorstellungen hinzukommt, sondern vielmehr einen bedingenden Faktor anderer Vorstellungen bildet, welcher ihre Beschaffenheit und ihren ‚Inhalt‘ entscheidend mitprägt. (shrink)

Images are usually understood as something perceived: as something presented to us and different from us. But since Antiquity the concept has also been given a different meaning: it has been used to describe our own being, and indeed so much so that it also stands for our essential nature: we are ourselves an image ; and being an image is what is what really defines us. The experience of being oneself an image – or, as one might also say, (...) this basic understanding of oneself as being just an image – plays an important role inter alia in Pre-Platonic thought, in the corpus platonicum, in the Christian idea of the imago Dei and, not least, in Fichte’s late philosophy.This paper focuses on two ancient Greek forerunners of some aspects of Fichte’s understanding of image, namely pre-platonic and platonic views on our own being-just-an-image. (shrink)

Este estudo incide sobre o primeiro estásimo da Antígona de Sófocles e procura analisar o seu significado. A questão a que tenta responder é a seguinte: que imagem do ser humano se encontra expressa nesta ode coral? Tal questão encerra várias outras: 1) Em, que sentido se diz que o homem é algo δεινόν – e mesmo até o mais δεινόν de tudo? 2) Qual a relação entre esta característica e o ser auto-inventado ou auto-inventor de que falam as três (...) primeiras estâncias deste estásimo? 3) Que significa exactamente παντοπόρος? É este conceito decisivo para se entender o ser humano? 4) É o homem efectivamente παντοπόρος? 5) Por que razão os anciãos de Tebas sustentam que, ainda que o epíteto “assente como uma luva”, παντοπόρος está longe de ser a última palavra sobre o ser humano? (shrink)

O objetivo deste artigo é promover um balanço crítico da medievalística brasileira nestas cerca de quatro décadas do seu sistemático desenvolvimento. Consideradas as primeiras iniciativas de promoção do período entre nós, passamos à avaliação da institucionalização do campo de pesquisas no Brasil, abordando as potenciais razões do seu vertiginoso crescimento. Por fim, consideramos o estatuto ontológico, epistemológico e teórico do estudo da Idade Média, centradas na crítica de vertentes hoje hegemônicas no campo em questão, dominado por posições que constituem a (...) historiografia como uma prática pseudocientífica que reduz o ofício do medievalista a uma enfadonha paráfrase das fontes de outrora. (shrink)

O presente texto tem como objetivo discutir expressões das masculinidades negras a partir da poética do rap na produção do rapper paulista Criolo.

Alguna consideración reducida de lafilosofia medieval considera la síntesis lograda ene! sigla XIII como e! modelo exclusivo y acabado,de modo que, de alú en más, los pensadorespasteriores ingresen en una pendiente de decadenciaque habrá de culminar com la rupturaproclamada por el pensamiento moderno. Pero lahistoriografia moderna nos permite evaluar mejorla diversidad de las propuestas que jalonan lossiglas XIV y XV. Uno de estas motivos nos loproporciona el pensamiento de Nicolás de Cusa pues en él se evidencia cómo lahistoria viviente incorpora (...) e! pasado y seproyecta hacia e! futuro interpretando com originalidadsu tiempo. La presente investigaciónpretende incursionar en uno de los aspectosquizá menos explorados dei pensar cusano: superspectiva ética. Nicolás de Cusa no escribióningún tratado específico. Sin embargo nos legóun enfoque que consideramos muy rico. E! puntode partida nace com su concepción de la singularidad.El individuo no es una mónada aislada ydesconexa dei universo. Para Nicolás de Cusa encada realidad se da lo máximo "contracto". Setrata de una densa expresión que expressa lapresencia de lo infinito en lo finito. Cada entidad,que participa dei universo es también irrepetiblee insustituible. Y ello reluce particularmente en e!hombre de modo que su singularidad constituyeel centro de la antropologia cusana, de tal maneraque la perfección consista en ser lo que es.Elia se plasma en la fórmula "Sé tú tu mismo y yoseré tuyo". El hombre no tiene que salir de sípara llegar a su plenitud, pues en la fidelidadabsoluta a si mismo descubrirá la plenitud de suser. Y este processo se realiza únicamente en elejercicio de la libertad que capacita o traba elacceso a la perfección moral, es decir, la plenituddei amor ai que el hombre está destinado. (shrink)

Este artículo trata, en un primer momento, de presentar los puntos fundamentales de la propuesta de Deleuze y Guattari en torno a la literatura menor, para pasar, en un segundo momento, a mostrar cómo, en Tirano Banderas, Del Valle-Inclán crea una literatura menor que permite al lector experimentar distintas maneras de enunciación que rompen formas tradicionales de creación literaria y expresan intensidades y rupturas en el mecanismo maquínico de ejercicio del poder en América Latina. De esta manera, Tirano Banderas, como (...) obra de arte, vuelve sensible preceptos y afectos autónomos en el marco de una metamorfización de la forma en la que se presentan los personajes, los contenidos y los acontecimientos. (shrink)

Apoyándose en Homero, Platón y poetas de nuestro tiempo, el artículo reflexiona sobre la guerra y sobre la retórica que la disfraza. La primera parte retrocede, en la Ilíada, al antifuneral que amenaza con el límite —sin retorno— del canibalismo y delata la necesidad del funeral y de la significativa usanza de la comida fúnebre. La segunda parte se vale del Menéxeno para criticar la oratoria fúnebre y sus lugares comunes: la autoctonía, la raza, la xenofobia, el heroísmo, la muerte (...) por la patria. Finalmente, la tercera parte, al amparo de aquellas obras, y otros escudos de la palabra, denuncia la inventiva moderna en materia de ultrajes al adversario y supresión del cadáver y del duelo. (shrink)

Partiendo de algunos estudios filológicos contemporáneos sobre el significado del nombre rapsoda, que recogen las interpretaciones más antiguas del mismo y llegan a vincularlo con el ardid, la trama y la artimaña, intentamos derivar la concepción de la poesía que Homero materializa en la Ilíada, lo que exige entonces decidir si el rapsoda es el aedo compositor o sólo el recitador de la obra consumada. Y el sentido de su acto de coser cantos o cantar con un cayado depende, a (...) su vez, de si la transmisión oral del poema equivale o no a la inexistencia de la composición escrita, y de si ésta es simple redacción y conservación o, antes bien, partitura esencial de la poesía. (shrink)

Desmontando el diálogo en una serie progresiva de planos, el escrito hace el ensayo de situar el Ion en la caverna de la Política platónica, para fecundar sus carencias juveniles con el principio de totalización del pensamiento político, es decir, con la construcción «poética» de un espacio que regule la reflexión y que en Platón se llama polis. En contrapartida, ello nos exige leer la Política platónica como obra de arte que propone, en y por la posibilidad que abre, un (...) nuevo tipo de poesía, la poesía filosófica, que a diferencia de la tradicional y vigente en su tiempo, no narra hechos sino que los crea. La síntesis de ese doble movimiento nos conduce a sugerir tres fugas de la violencia circular: una, la teoría de la inspiración del Ion prefigura la ausencia de mito que se presenta cuando, en el Sofista, Platón invierte el platonismo; dos, la poesía es la extraña producción que no lleva «algo» del no-ser al ser; y tres, la poética es la totalidad proteica que inscribe -en el pensamiento- lo que bulle cuando la poesía ya no es tal género y todavía no es tal otro. (shrink)

En La communauté inavouable (1983), se ocupa Blanchot expresamente de pensar la comunidad de quienes no tienen comunidad, cuestión que había asomado ya en Le livre á venir (1959) y en L'entretien infini (1969). La presente conferencia se refiere a estos antecedentes. En la primera parte; sobre el relato de Duras El square (1956) y el ensayo de Blanchot que lo medita, El dolor del diálogo, indica la relación "ética" entre la conversación y la desgracia. La segunda parte, entre otros, (...) caracteriza el tiempo en que se da la rareza de la conversación, así como las experiencias que permiten al pensamiento no anteponerse a la desgracia pero tampoco abandonarse a la ausencia de pensamiento. La tercera parte lee los escritos Lo indestructible, La relación del tercer género, etcétera, para caracterizar los diferentes "niveles" de la desgracia en dirección a la posibilidad o a la imposibilidad de conversar. La cuarta y última parte vuelve sobre la primera con el propósito de precisar la comunidad de los que no tienen nada en común salvo su separación -diferente en cada uno- del mundo: la comunidad de la desgracia. (shrink)

O estudo faz o ponto relativamente à existência de uma eventual “escola de Coimbra” (séculos XVI-XVIII), de âmbito filosófico, para o que começa por incidir nas produções teóricas – a história – que podem contribuir para o esclarecimento da questão, enumera algumas das linhas dessas produções e da eventual escola – tendências – e enuncia alguns problemas que criam dificuldades à identidade discutida.

Also known as the "Portuguese Aristotle", Pedro da Fonseca S. J. (1527-1599) was a prominent figure in early modern Scholasticism and particularly in the history of the Society of Jesus. He took part in the writing of the Society's Ratio Studiorum and laid the groundwork for the publication of the famous Cursus Conimbricensis (1592-1606). Furthermore, he was the author of an influential handbook of logic and dialectics (the Institutionum Dialecticarum, 1564), in addition to being one of the most important and (...) recognized commentators on Aristotle's Metaphysics in the sixteenth century (by his unfinished Commentaria, 1577-1612). This volume is the first collection of essays in English devoted to Fonseca, to his intellectual production, and his thought. The book gathers nine essays from scholars worldwide, among which are some of the most important current specialists in early modern Scholasticism, in Portuguese Aristotelianism, and the history of the Society of Jesus. So the volume presents, for the first time, a reliable portrait of the institutional role and the thought of Fonseca about many important questions of Western Metaphysics, as well as the reception of his work in the early modern age. (shrink)

This volume publishes the Proceedings of the 1st International Meeting "Thinking Baroque in Portugal" (26-28 June 2017), which dealt with the metaphysical, ethical and political thought of Francisco Suárez. Counting on the collaboration of some of the greatest international specialists in the work and thought of this famous professor of the University of Coimbra in the 17th century, this volume celebrates the 400th anniversary of his death and marks the productivity of his philosophical-theological legacy.

This volume is the first collection of essays in English devoted to Pedro da Fonseca SJ (1527-1599), his intellectual endeavour, and thought. The book brings together some of today's leading specialists in early modern scholasticism, Portuguese Aristotelianism, and the history of the Society of Jesus, in order to present a reliable portrait of Fonseca's institutional role, to reconstruct his thought on many important aspects of scholastic metaphysics, and to discuss the reception of his work in the early modern age. -/- (...) . (shrink)

This paper discusses the will and the willfulness, especially their intellectual condition, even in what concerns to voluntary power, because we knoe the good with the unconditional extension as “other than being” in its essence, or possible of being.

Standing upon Leonardo Polo's interpretation about Aristotle's doctrine on sensitive cognition, some aspects of the sensorial organical inmutation required in it are examined, and a thesis concerning de common sense as center and root of sensibility -not only exterior, but also interior- is suggested. According to this thesis, even the sensorial and organical inmutations belonging to the other internal senses can return to de organ of the common sense, which becomes the central and radical organ. Therefore all sensible objectivation should (...) take place in the common sense. This conclusion does not agree with Polo's position. (shrink)

In contrast to Heidegger's claim which establishes the end of metaphysics, it is generally upheld that Polo's proposal regrding the expansion -through anthropology- of the metaphysic's own transcendental reach permits supersedence without lessening perennity. Thus widening requires not only a thematical explanation but also a methodical one, upon which the congruency both of metaphysics and of anthropology, as different types of philosophy for the transcendental, can be established. This method springs forth from the detection of the limiting character that revolves (...) around mental presence. It is actuality understood as the least intellectual act in human knowledge, and deserts the intellective modality by means of superior intellectual acts. (shrink)

Se glosa el método poliano del abandono del limite mental como un 'trascendimiento' de la presencia - la cual detiene el inteligir objetivante y como actualidad lo separa de la actuosidad y dinamismo reales-. Se excluye así la extrapolación de la actualidad presencial como forma del ente sustancial tanto como su reducción a determinación efectiva a manera de modalidad del juicio asertivo. De donde se interpreta la distinción real de la esencia potencial con respecto al acto de ser creado que (...) la trasciende - sin separación- como el inherente distinguirse de posibilidades temporalmente desplegado por este acto, y se averigua la real distinción entre la primalidad radical que compete al acto de ser principal - extramental- y al intrínsecamente dual- personal humano-. (shrink)

Is there any way out -aside from the possibilities offered by skeptical and utilitarist thinking- to the problems which face modern science? Polo be-lieves that first it would be necessary to explain the reasons which pro-voke change in scientific models: why are the paradigms, and the views of reality which they propose, substitutable?

This article offers a commentary on some passages of the Introduction to the second volume of the Antropología trascendental, where Polo proposes the act of human being according to the character of además, which is equivalent to the personal living in view of its conversion, on a transcendental level, with the personal freedom and the intimacy as higher transcendentals than those of principial being. In addition, the decrease of essential level proceeding from these personal transcendentals is equivalent to the essential (...) human life increasing without restriction, in which natural organic individual life is actively received, and which is thereby spiritually revitalized. (shrink)

Benet Perera was not the first Jesuit to comment Aristotle’s De Anima. In Portugal there was already the tradition of doing it, and the so-called Coimbra Course may be seen as the culmination of such a tradition. Moreover, its approach to philosophy is also different from Perera’s. This paper first of all focuses on the place of scientia de anima, the importance physics has in such a science, and the division of metaphysics or its unity. Secondly, it is stated that (...) if Perera could have taken sides with a theological anthropology, Góis took a different approach. Lastly, when discussing the immortality of the soul Perera and Álvares differ over the weight of human capacities in duly evidencing immortality. (shrink)

Se expone una visión panorámica de algunos de los principales filósofos portugueses (o que trabajaron en el reino de Portugal) durante la Edad Media. Se ofrece también una hipótesis de interpretación de las líneas más fundamentales de la contribución filosófico-teológica lusitana medieval.

Sem querer ser uma aproximação histórica e cultural ao tema indicado no título, este artigo visa discutir o seu quadro metafísico a fim de, em diálogo com uma interpretação de Miguel B. Pereira, fazer repercutir tal quadro mais na linhagem futura da análise leibniziana e menos na do apriori kantiano.

Depois de J. Gómez Caffarena, de C.Bérubé e de R. Macken, sobretudo, terem insistidonuma leitura augustinista da antropologiahenriquina, a nossa contribuição pretende antes retirar asconsequências da correcção do augustinismoque, por meio do avicenismo, Henrique de Gandlevou a cabo. Propomos uma leitura da natureza na sua especificidade metafísica, deanterioridade em relação ao universal e ao singular,tendo como efeito uma antropoteologia que éuma verdadeira mudança de rumo do augustinismocomo uma quota-parte para a Modernidade.Ilustraremos a nossa tese insistindo: nasituação histórica de Henrique, no (...) seu programametafísico-crítico, na doutrina da relação e na daindividuação. Os textos abordados serão daSumma, dos Quodlibet e da Lectura ordinaria.Finalmente, apontaremos para um horizontecontemporâneo em que a antropologia deve serrefeita na relação com a natureza. Por outraspalavras: a natureza do homem não pode passarsem aquilo que faz o homem um ser de natureza.Foi precisamente isto que Henrique de Gandesqueceu devido ao seu avicenismo, mas nãomenos ao seu augustinismo de que é fundamentalnele. (shrink)

The so-called New Music in Europe after the Second World War was based on the idea of progress, similar to technological progress and related to it, and aimed at a complete rationalization of composing. The ideal of music as autopoiesis, which appeared in the 1950s, became inherent to this development. It supposed a kind of communication on music as a reified object, which opposed music making and listening as communication between partners. Separated from the life-world and conceived as a self-referential (...) system, New Music should represent not only the logical achievement of the historical development of European music, but also the superiority of Western musical thought in the more developed countries over the music cultures of the world. Therefore, the integral serialism, which should rule the musical composition, became a form of symbolic power within the musical field, in correspondence with similar forms of domination within the economic, political and technological fields. However, some European composers rejected this trend and tried to find an alternative to aestheticism by means of political engagement. For instance, the Italian composer Luigi Nono explores the dialectic between subject and object, technological development and critique of technology, avant-garde and critique of progress, globalization and anti-imperialistic resistance. In his strategy, in which Gramsci's and Walter Benjamin's thought played an important role, aesthetics became inseparable from politics. His search for identity as a composer transforms the tragedy of listening into an allegory of human condition. (shrink)

Leonardo Polo propone diversidad de tiempos de acuerdo con su diferencia con respecto a la presencia mental como actualidad, de la que cabe, a su vez, diferenciar el ahora, si bien una y otro son de condición anímica. Se proponen distintos niveles de conocimiento del ahora en lo sensible, mas no sin la objetivación intelectual de lo circular, con base en una interpretación de la noción aristotélica de hò pote ón..

This paper deals with the third dimension in the Polian philosophical method, the abandonment of the mental limit, in correspondence with the habit of wisdom, and explains the intrinsical duality, or transparence, which characterizes the personal human being, theme of transcendental anthropology, distinguishing it from the extramental being studied in metaphysics.